Bellowcast · Branded B2B podcasts

Every episode is cut at one desk in Davie, Florida.

We record, edit, sound-design and publish your company’s podcast, and we invoice it as one flat fee per season or per batch of episodes.

Shows we makeSoftware, law and accounting, manufacturing, healthcare and commercial real-estate teams. Weekdays 8:30am–5:30pm.

Collage of a ribbon microphone cut from paper with hand-drawn sound waves in green and lilac

The season, station by station

From the first mic check to the scheduled drop

Five stations, worked in one room by the same pair of ears. Nothing is outsourced to a queue, and nothing leaves the building until it plays well through car speakers and cheap earbuds alike.

  1. Station one

    Record

    Remote or in person, each voice captured on its own track.

  2. Station two

    Multitrack edit

    Breaths, false starts and tangents cut by ear, not by a silence filter.

  3. Station three

    Sound design

    Theme, stings, room tone, then a loudness pass to −16 LUFS.

  4. Station four

    Show notes

    Summary, timestamps, guest links and a full transcript.

  5. Station five

    Publish

    Hosting, RSS, Apple and Spotify submission, scheduled releases.

What the fee actually buys

One invoice for the season, not one per revision

Agencies bill by the hour and a podcast is nothing but hours. We price the batch, put the scope on page one of the proposal, and keep two rounds of revisions per episode inside it.

Collage of a mixing desk with hands on the faders and hand-drawn waveform marks

Fixed fee, fixed finish line

Your package covers recording, editing, sound design, show notes and publishing for the episodes named in the proposal.

Section only a podcast studio has

What lands in your delivery folder

Every episode ships as the same tidy set, so your marketing, legal and sales teams always know where to look.

Master WAV
48 kHz / 24-bit
Distribution MP3
−16 LUFS stereo
Show notes
Summary, timestamps, links
Transcript
Editable, for compliance review
Cover art
3000 × 3000 px
Raw multitracks
Yours to keep

The shape of a season

How a season gets made

Three phases, each with a clear owner and a date. You make the guest list; we make everything else.

The scoping call

Thirty minutes on audience, guests, cadence and what a good episode sounds like to you. A written, itemised fee follows within two business days.

Free · 30 minutes

Recording weeks

We schedule guests, send a one-page prep sheet, run levels and cue every session. Sessions are recorded on separate tracks, remotely or in person.

Booked around your calendar

Delivery

First cuts return five business days after each recording. Two revision rounds, then we publish and hand you the folder.

Five business days a cut
Start with the scoping call

Prefer a voice? Ring (954) 931-0746, weekdays 8:30am–5:30pm.

“A B2B podcast is a long conversation with a customer who isn’t ready to buy yet. Our job is to make it worth the listen.”

The Bellowcast editorial desk

Who we make shows for

Companies with a long sales cycle

Software & SaaS
Customer-interview series and product-launch diaries.
Law & accounting firms
Plain-English briefings, cut with a compliance reader in mind.
Manufacturers & distributors
Shop-floor stories for buyers who never visit the shop floor.
Healthcare & benefits groups
Patient-facing and provider-facing shows, kept apart.
Commercial real estate
Market commentary and deal-room conversations, weekly or monthly.

In-house, freelancer or studio

The case against the borrowed laptop

Plenty of marketing teams start by editing the show themselves. Here is where that tends to stop working.

Collage of a tape reel and a splice with hand-drawn pencil marks
  1. A second pair of ears

    The person who books the guests is rarely the best judge of the edit. We only judge the edit.

  2. A signal chain that never changes

    Same processing, same loudness target, so episode one and episode thirty-one sound like one show.

  3. A calendar that holds

    Editing doesn’t slip when the product launch eats your week. Cuts arrive five business days after recording.

  4. A fee you can forecast

    Freelancers bill overages and agencies bill retainers. We bill the batch, itemised before we start.

  5. A clean exit

    You keep the masters, the raw tracks and the RSS feed, handed over with the final invoice if you ever move on.

Fees

Flat fees, written down before we record

Start with a pilot, move to batches, or launch a full season in one go.

Try the sound

Pilot reel

$1,380

flat, for two episodes

  • Two episodes, up to 45 min raw each
  • Edit, sound design, loudness pass
  • Show notes and transcript
Order the pilot
Keep the cadence

Batch of four

$2,340

per batch of four episodes

  • Same edit chain as your pilot
  • Scheduled publishing
  • Five-day turnaround per cut
Book a batch
Most picked

Season launch

$4,860

flat, for the whole launch

  • Eight episodes plus a trailer
  • Theme music, cover art, RSS set-up
  • Apple and Spotify submission
Plan the launch
Add-on

Recording day

$690

per half-day session

  • Up to three guests
  • Engineer, mics and levels handled
  • Remote guests or in person
Hold a date

Invoiced once by email. Pay by card, ACH or check. Need something bigger, such as a twelve-episode season or multiple shows? Ask for a quote.

Contact the studio

Tell us about the show you’d like to hear

A paragraph is plenty: who it’s for, who you’d invite, how often. We reply by the next business day with times for a scoping call.

Hours

Weekdays 8:30am–5:30pm

4394 Sw 131 Ave
Davie, FL 33330

Find the studio door →

Questions a careful buyer asks

Do we need our own recording gear?

No. Remote guests record through a link we send, with a one-page mic guide. For sharper audio, book a recording day.

How many revision rounds are included?

Two per episode, inside the fee. A third round is billed at a flat rate we quote up front.

Can your edits go through legal review?

Yes. Each cut ships with a transcript so reviewers can mark up text rather than listen through the audio.

Who owns the masters and the feed?

You do. Masters, raw multitracks and the RSS feed are yours from the first invoice.

Call the studio Send a brief